grad school is so stupid in a way. you are supposed to be developing as an artist by making work... but with what time? i get so bogged down. plus 2 years is such a short amount of time. it seems like quite a while at first, but now already being almost a year in... it's no time at all. i feel like i've gotten nothing accomplished at all.
which leads me to today. i had my midterm critique. it was ok... but ut kind of made me mad. ok, so basically the most important thing we went over was that i don't finish anything. most of my ideas are kind of related, but i never finish an idea. in these two years i need to have a strong portfolio for my thesis show and for job hunting.
the idea i like most right now is dealing with self love vs. self loathing. i think it comes across in a lot of my photos, but again nothing terribly cohesive. during the critique it basically came to light that i may not have time to develop this idea in the time i have left. it's not something i should give up, but it shouldn't be my main focus.
while on break i decided to do a series of landscapes with my brownie hawkeye. it was mostly just because i was traveling to very scenic areas and i had this camera i had never used before, and i wanted to see what i would get out of it. i got some pretty interesting landscapes that are fuzzy and pretty grey. but they are just landscapes. in critique it was strongly suggested that this be the path i follow. i'm very conflicted as to how i feel about this. personally i think they are nice... but they are landscapes. there is nothing more to a landscape then things just being pretty. if you try to put more on it... you are just a bullshitter... i'm sorry, but c'mon. ok, mine are a little ominous... but that's about it. and i know at least one person who does try to pretend there is more to a landscape then prettiness... i'm just not a good BSer.
i don't know if i should be offended though. i did tell them this isn't really something i'm that interested in, but they continued to insist. are they just trying to give me an easy out... this would be a simple project to do, and i'd have a cohesive body for my show/portfolio. but i don't feel like it's the quality of work a grad student should be producing. i like to think my other work is much stonger... ok, maybe not as cohesive, but more interesting in general. am i wrong though? i almost felt like they were hinting at that.
i guess i really need to pick a direction and stick with it. i'm just hoping i can actually work that way. i never really have before. i like jumping around. i get stuck pretty easily, so when i do i can just go back to something else. but i do understand where they are coming from. and rob brought up an interesting point... with the other mediums it takes longer to make a single piece (most times, not always) so you can stay more focused because you may only make like 3/4 pieces a semester. with photo, the volume is higher. (even with working in the darkroom) it's easier to jump around. a lot of famous photographers build a body slowly because they work on more than one thing at a time.
anyway, i'm still a bit pissed, but i really need to do some thinking and i think i need to talk to rob to make sure i understood lonnie correctly the whole time. i will be printing some of the landscapes and i'll put them up as i go. hopefully i'll get feedback that will help me decide what to do.
Devious Comments
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...And out come the wolves
their paws trampling in the snow of the alphabet
I stand on my head and watch it all go away...
i hope i didn't offend, but this is what i think.
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...And out come the wolves
their paws trampling in the snow of the alphabet
I stand on my head and watch it all go away...
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...And out come the wolves
their paws trampling in the snow of the alphabet
I stand on my head and watch it all go away...
i was pissed at them for telling me to do something I hated. additionally, I was mad at myself for not liking objects...why should i judge pictures of objects? there is a place for everything in art and so many people do awesome photos involving objects, or in your case landscapes. whats the big deal, right? --- thats what I kept asking myself but was still just as angry.
only very recently have a i started a new thought...the lack of thought, or so, definition. the more I try to label my work or subject matter, the more closed down and frustrated i become. defintion, direction...everyone wants to know where you're going with this and that. instead of searching for that bigger secure safe place i'm coming to surrender to paths of this and that. maybe some pictures are landscapes, maybe some are objects, some people, some whatever.
get out there and use your brownie, take beautiful landscapes (becuse you know how) and work with the models, the mri, and more and then spread it all out and around on the floor, breathe, and pull back. you might not be able to pick out an entire brilliantly linked neat single packaged portfolio (but maybe! keep your eyes open!!!) but if nothing else you will find links and spaces and hopefully a true appreciation for each work and that will lead you to something even bigger and better.
it's not the destination, its the journey. besides, landscapes are beautiful art pictures too (you're not going to see my falling in love with mine on some deep emotional level anytime soon either, but I'm starting to see how they can play an important part to not even so much a portfolio but the artistic process)
think of a closet ~ it doesn't just have suits in it for going out and looking professional to the world. it has slippers and hoodies, and suits, and skirts, and jeans, and sweatpants, etc. together it makes up a closet that gives you options for every situation. awesome.
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